Isis/Sarah/Bowie (
mysticalchild_isis) wrote2012-01-02 09:45 pm
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A Scandal in Belgravia
I've been sitting here for awhile trying to put my thoughts together, because while there were some things I really enjoyed, there were a lot of things I was really troubled by. And I know that a lot of people on my flist just really loved it, and I don't want to harsh anyone's squee. But I just have to throw my two cents in. And I certainly don't want to tell anyone that they shouldn't be enjoying it, or bring it down in their eyes, but I have feelings, and so...
Let's face it, Steven Moffat is a misogynist, and that comes out in everything he does. Even when he writes supposed "strong female characters", they're more this kind. And again, I'm not trying to tell people not to like them; there are plenty of them that I like, too. But again, there are tropes and elements that are deeply troubling, and I think that needs to be addressed and not glossed over.
Because female characters get criticized constantly, and so often by women, I feel like it's important to ask: is this internalized misogyny coming out? Is this being overly critical? Is a female character getting called a Mary Sue when a male character would just be considered awesome? But there are problems with the women Moffat writes, sometimes on the surface, and sometimes more deeply, and I have to address them.
Irene Adler: on the surface- strong, charismatic, smart, sexy. But oh my god, the use of the lesbian who still falls deeply in love with the male hero: SO PROBLEMATIC. (And offensive, not to mention over-used.) Also problematic: the glamorization of sex workers. Yes, she chooses it, and she seems to enjoy it, and in real life, I would never judge someone for it. But this is just another example of the trope wherein the only way women can have power is through sex. And let's not talk about the male gaze issues in this: we had the parallel getting ready scenes between Sherlock and Irene... only Sherlock ends up in a bulky police coat, while Irene is in lingerie and then is totally naked. (I could even go into a long discussion of the application of make-up scene, but that's better left to Julia Serano, who has a great analysis of that in Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity. Also, I am aware that Sherlock ended up in the buff earlier, but a) that was played for laughs, b) it was very brief, and c) it wasn't in a sexually charged situation.)
Also, there was that whole thing where Irene needed to consult with Jim Moriarty, and yet was still in the end outwitted by Sherlock. In the original VICTORIAN story, Irene didn't need to consult with Moriarty, and also was successful in outsmarting Holmes. Nor did she end up needing to be saved by him. AND THIS WAS THE VICTORIAN ERA.
All of this was in the same episode where Mrs. Hudson was brutalized and needed rescue, and where Molly was totally humiliated by Sherlock, but oh, a kiss on the cheek makes it all better. Oh, and Watson had a girlfriend even he couldn't remember, and who is played as unsympathetic despite her valid grievances. ::headdesk::
I was very amused at how the cliffhanger with Moriarty was resolved, I was happy to see Lestrade, the deerstalker was awesome, John had some great bits, there were lots of good interactions with Mycroft... but despite the fact that there were a lot of things I enjoyed, I was still left wishing that I could get Moffat enrolled in therapy. And some women's studies courses.
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Thanks for letting me know.
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I'm so glad I'm not alone in noticing (and being bothered by) these things.
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It really bothers me that Moffat is often worshiped the way he is. I've been yelled at by fanboys for daring to question his brilliance.
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Did you see this article on nerds and male privilege, as written by a male nerd? It's excellent, and I wish I could make a lot of dudes read it.
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I HATED that Irene A) fell in love with Sherlock despite being a self-professed lesbian? I mean, I get that you couldn't really take anything she said at face value [and THAT'S an issue to take up another time perhaps] but WHAT?
Ugh. I was bothered that she needed saving in the end.
I was EXTREMELY bothered that Sherlock figured everything out at the last minute. She was supposed to best him, not ALMOST best him and then flee with tears in her eyes because she just loves him so much.
And why, WHY, must she always be working for Moriarty? Why can't she just be a kickass criminal mastermind in her own right? I've never actually really liked the character of Moriarty that much. Irene is COOLER than he is.
I <3 this post because it is everything
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Seriously. Why does this come up in both the recent versions of Sherlock Holmes? Why?
I mean, yeah, there were some plot holes and minor pacing issues too, but those were the sorts of things I can gloss over.
And there was a lot to be amused by- like the clients montage at the beginning. But Moffat just had to go and spew his misogyny over my enjoyment...
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The day that Moffat finally writes something completely free of misogyny will be the day I die of shock, so I really tend to ignore it in his stuff more than I probably should. I just assume it will be there and I will have to get over it if I want to enjoy a show that is otherwise fantastic.
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Seriously. One of my complaints about Moffat is how he will trash other people's characters as being Mary Sue-ish, when he CONSTANTLY writes special snowflakes (especially male Special Snowflakes), and NO ONE can be better than them. Irene cannot outsmart Sherlock in the end, and he is so special, she turns against her own sexual orientation. ARGGHHHH.
There are some forms of it I am more easily able to ignore than others, but unfortunately, what he did to Irene fell into the category of stuff I just can't let slide.
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Alternatively: friend
tocourtdisaster who is lovely despite her lack of interest in Marvel :D no subject
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THIS.
Took the words right out of my mouth. I did enjoy parts lf the episode, but they (re: Moffet) failed HORRIBLY with Irene Adler.
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Relevant to this, you might be interested in a fic that fixed the ending:
http://marysutherland.livejournal.com/49914.html
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As someone else commented, I find it extremely annoying that modern takes on Holmes (this and the first Guy Ritchie movie) seem obsessed with Moriarty and then turn Irene Adler into a mere Moriarty pawn.
To me, the definite A Scandal in Belgravia will always be the Jeremy Brett / Granada version: faithful to the source material, strong and resourceful Irene, and OMG the erotic tension, yet they barely touch through the whole episode.
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Making a comparison with another famous detective... for me Poirot IS David Suchet. I could watch every episode of that show ten times. Yet everytime I watch one of the Peter Ustinov movies, I want to throw things at the screen.
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AND YES! Suchet makes Poirot live for me. I love Christie, but characterization is not her strong suit. Suchet makes Poirot far more likable (and three dimensional). LOVE LOVE LOVE.
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What I think I wished for, more than anything, was an Irene Adler recognizable from the original canon, and that's not what I got. Some of the details were right, but the whole picture was wrong and it was disappointing. And I honestly don't mind that things get changed because there's no way to keep everything the same, but when you get to the point that the only recognizable feature of the character in question is their name, then you've gone too far, I think.
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Seriously. When the Victorians are doing it better, you know something is fucked up.
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Moffat's Adler is not Irene Adler. For someone that prides himself on being true to canon, he certainly got it completely wrong. I wish I could wipe this episode from my mind. Seriously.
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So many people don't want to think about the problems with their entertainment. Some people don't even understand why one would want to analyze, critique, or otherwise even think about TV. And some people don't see a problem with his writing, and call anyone who criticized him a man-hating feminazi. It baffles me, too.
For someone that prides himself on being true to canon, he certainly got it completely wrong.
So VERY VERY wrong. Seriously. As mentioned above, if the VICTORIANS are doing it better, there's some fail going on.
Out of curiosity's sake, how did you stumble upon this post? Also, saw that you friended me, and have friended back.
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I'm not a member of Fandom Wank or its other comms. I just occasionally read some of their stuff because it's interesting viewing different fandoms from the outside (especially fandoms I didn't know existed like My Little Pony). Also occasionally, they'll post something that will lead me to something interesting (usually slash related).
I friended you because I noticed that we have some of the same interests: Sherlock Holmes, House, Doctor Who, etc.
I don't know if you saw, but someone tweeted Moffat about the sexism in Sherlock: here's the screencaps of the tweets and then I saw this article: http://www.walesonline.co.uk/showbiz-and-lifestyle/showbiz/2012/01/04/sherlock-writer-steven-moffat-furious-with-sexist-claim-91466-30062866/
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I hadn't seen either, thanks!
Wow, he's furious at being called a sexist, and considers it "defamation"? He really does buy his own hype. Yikes.
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Wow, he's furious at being called a sexist, and considers it "defamation"? He really does buy his own hype. Yikes.
Yeah he definitely does. He has such an ego which is fed by his fans. One of his fans on tumblr said that people who called him sexist should be shot. (The person making this comment was a 17 year old male Doctor Who fan according to his profile on tumblr). His fans are scary.