... I actually had to Google Penelope to make sure it was the same character I was thinking about. And The Odyssey was my favourite thing when I was eight so the risk of me forgetting it is pretty damn low, which should say something about how puzzled I was.
Even if you ignore the cultural context of a Greek epic (ancient Greece wasn't exactly fertile ground for Strong Female Characters for obvious reasons) how can you dislike a character for 1. being stuck in an unfortunate situation because the narrative demands it and 2. doing the best they can despite the obvious disadvantages in that situation (palace full of arrogant young men constantly feasting and emptying the wine cellar? I'll be damned if the threat of rape wasn't at least implied in the actual epic, but it was some time ago I read it myself)? What was she supposed to do?
But yeah, all of this. The idea that for a woman to be strong she has to act like a man is at least as problematic as the alternative. Also I really enjoyed your entry about Irene Adler, though I didn't comment because I had a guest over that week; you know you have some problems when the character in the original 19th century novel is more progressive than a modern portrayal.
Then again, that's not really a new thing with Moffat... (I do so wish I could look forward to the next season of Doctor Who. And then I think of everything Moffat could do wrong. Argh.)
no subject
Date: 2012-03-15 04:27 pm (UTC)Even if you ignore the cultural context of a Greek epic (ancient Greece wasn't exactly fertile ground for Strong Female Characters for obvious reasons) how can you dislike a character for 1. being stuck in an unfortunate situation because the narrative demands it and 2. doing the best they can despite the obvious disadvantages in that situation (palace full of arrogant young men constantly feasting and emptying the wine cellar? I'll be damned if the threat of rape wasn't at least implied in the actual epic, but it was some time ago I read it myself)? What was she supposed to do?
But yeah, all of this. The idea that for a woman to be strong she has to act like a man is at least as problematic as the alternative. Also I really enjoyed your entry about Irene Adler, though I didn't comment because I had a guest over that week; you know you have some problems when the character in the original 19th century novel is more progressive than a modern portrayal.
Then again, that's not really a new thing with Moffat... (I do so wish I could look forward to the next season of Doctor Who. And then I think of everything Moffat could do wrong. Argh.)